Shaun O Connor

Articles on media, psychology, creativity and other happening stuff.

Posts Tagged ‘better’

Should We Ignore Or Help Difficult People?

Posted by shaunoc1 on February 26, 2008

In my last article, “The Secret: Fact Or Fiction?”, I  said that “It is certainly flawed in places, and offers rather simplistic views of, for example, why bad events sometimes befall people (they draw it upon themselves, apparently).” Some people have argued that “The Secret” implies a  shunning of these people, that negative thoughts are contagious and that you must not draw them – or the people who think them – upon yourself.

I have wondered about this for a long time; what are you supposed to do with people who are just, well, negative?

Anger BunnyA few years back, I suffered from panic attacks and an obsessive thought disorder known as depersonalization. Despite my initial enthusiasm for the Internet as a research tool, I found that using it as such in this case was extremely dangerous. Why? Because almost all of the forums in which you would expect to find support were actually inhabited by people who had no intention of getting better. It’s a horrible thing to say, but it’s true. People logged in day after day, broadcasting their self-pity on a digital soapbox. These posts usually amounted to little more than reassurance of the grimness of everyone’s situation, which is particularly demoralising to an individual with an obsessive thinking disorder. According to these people, nobody ever gets better from these conditions, and most people who logged on to say they had were branded a liar (I was one of them).

After my recovery, I wrote and began selling a guide on how to deal with obsessive thinking; one of the golden rules of that book was to never, ever go into a forum again. I have told everybody, and I mean hundreds of buyers, everyone who has read the book – to never speak to the people in the forums again, to have nothing to do with them. Because they will drag you down, they will infect you via emotional osmosis and make your own recovery that much more difficult. It happened to me many, many times before I noticed the pattern and stopped it.

And that’s the dilemma. Is it our duty to help and be kind to people who are, on the surface at least, cruel and hurtful? Or, to be exact, is it our duty to do this continually for that person?

I have been blessed with a wonderful family, with whom I get on very well; but I know people who have had to practically cut relatives out of their lives, purely for the sake of ease. Again, it sounds terrible, Pessimistbut if that person’s mood and demeanour affects yours (as it almost always must), how do you deal with a regular barrage of pessimism and ignorance that sucks the energy and vitality from yourself? And let me be clear; I am not talking about depression or sadness in a person. Of course, these absolutely must be dealt with, thoroughly and attentively. But in this case I am talking about negativity, insults, put-downs, bullying, manipulation and exploitation.

I had the experience of spending a good deal of time with one individual who had been “cut off” by another close member of their family, simply because the latter was totally unable to deal with the irresponsible behaviour of the former. Despite my initial scepticism towards this way of dealing with the situation, I had to eventually conclude that it was the only practical way of doing so. The assumption, however hopeful, would be that the person in question would in the future, find a level of maturity on their own to allow for a reconciliation.

But until then, is there really any other alternative? Talking things out is not always a viable option. Often, when someone is confronted with what they perceive to be an assault on their ego, they can respond with tears, shouts or even violence. Indeed, arguing one worldview versus another is generally a exercise in futility. For example, take your average college debate. Let’s say that one side comes up with a long list of trump reasonings for their argument, while the other side fails to respond with anything remotely cohesive. Do you think that at any point, any member of the latter team will stand up and say “You know what? You’re right”, and join the other side?

Of course not. Why? Because most of us have developed this silly idea that our viewpoint is somehow connected to our ego, that changing one’s mind is somehow evidence of defeat, of not having thought things through. A healthier stance would be that changing one’s mind is evidence of adaptability, of willingness to change and evolve.

That’s why confronting someone who you believe to be mistreating others or acting in an ignorant manner can be so dangerous; because you are criticizing their behaviour, the way they interact with the world – and deep offence can be taken.

Milton EricksonOn the other hand, let’s consider the audience of the debate. These people are prone to great variances in opinion between the beginning and end of the verbal contest. In an excellent, ongoing series of podcasts, the moderators measure the listeners’ attitudes before and after the debate, which often produces huge differences. Why does this happen to the audience and not the debaters? Because the audience are spectators; they have no immediate social investment in the belief being contested. Not only that, but they are part of a gathering where the adaptation of thought is accepted and even encouraged.

They weigh up the evidence, and decide for themselves. And that’s a great microcosm for one’s personal ascent to maturity. Telling someone to change won’t make them change; demonstrating the value of change will allow them to make the decision for themselves. The famous therapeutic hypnotist Milton Erickson accomplished this brilliantly: For example, he had a rule of never telling his patients what not to do (i.e., “Don’t laugh”, “Don’t worry”). Also, he used techniques such as metaphorical stories to insinuate that the patient could get better. The bottom line was that everything was accomplished on the patient’s terms, a revolutionary approach that allowed for full recoveries in astonishingly short periods of time. Why? Because the patient figured out for themselves that they could do just that, for themselves.

It’s like the Buddhist saying, “When the student is ready, the lesson presents itself.” And the Desiderata says, “Avoid loud and aggressive persons; they are vexations to the spirit.” If we take these sayings together, we might conclude that sometimes, it’s necessary to just leave some people alone and hope that they figure certain things out for themselves. This can be very tough, especially if that person is or has been close to you.

r

But if the student isn’t ready, maybe there is little you can do but wait and hope for the best.

r

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5 Reasons Films Are Getting Better (Or, Are Old Films Getting Worse?)

Posted by shaunoc1 on January 11, 2008

This is a question that’s been bothering me for ages now. I have tended not to bring it up too much in general conversation, for the simple fact that it sounds like such a stupid thing to say. I have a Masters Degree in Film Studies, but bringing this topic up makes people look at me like a child who eats crayons.

But hear me out.

Are films getting better? Much better than older films? I mean, in pretty much every sense? Before you answer, consider the following :

1. Film is becoming a universally available and easily producible medium. Digital technology means that anyone with a camcorder and a pc can put their mini-opus together. Of course, that means a whole load of crap is produced, but for people with the ideas and the ingenuity, the opportunities to make your film is there. (The Blair Witch Project, Supersize Me etc)

2. We have seen some amazing films in the last decade. Just think of The Sixth Sense, Fight Club, American Beauty, Lord Of The Rings, The Matrix, Eternal Sunshine Of The Spotless Mind, LA Confidential, Saving Private Ryan, The Big Lebowski, The Prestige, Donnie Darko, The Departed…. I could go on. People talk about the Forties and the Seventies as “Golden Ages” of film; the fact is that we’ve been enjoying a Golden Age of film since about 1990, one that shows no signs of letting up.

3. Acting is getting better. Yes, it is. Granted, Marlon Brando and the Method school ushered in a vast sea-change in the art, but can you really tell me that there is any comparison between the stilted hamming of the 30’s and 40’s and the naturality of say, Edward Norton or De Niro?

4. Special effects. CGI is allowing directors to create images, nay, worlds from their imaginations. Compare the opening scene of Peter Jackson’s “Lord Of The Rings” to Ralph Bakshi’s 1978 disastrous version, purely in visual terms.

Jackson:

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Bakshi:

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There’s no comparison, right?

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5. I think that a lot of older movies get more respect than they deserve solely because they’ve got a few decades on them; they can sport that miasma of age that seems to render them untouchable. For instance, I watched James Whale’s 1931 “Frankenstein” recently. This is considered a horror classic, and created the modern image of Frankenstein’s monster as a lumbering flat-top, bolt-neck behemoth (the image is still under the copyright of Universal Pictures). It also features the famous line, “It’s alive! It’s alive!” (voted the #49 movie quote of all time by the American Film Institute).

Frankenstein:

But, despite all of this, I thought the movie was pretty crap. I’m a big fan of Mary Shelley’s book, and I was appalled to see that the film discarded that story almost completely. The placement of American actors with thick American accents in the roles of German characters was atrocious. The tacked-on happy ending was painful. If that movie was made today, it would be a straight-to-video bottom-shelfer. All in all, I think that Kenneth Branagh’s 1994 version is leagues ahead of that version; it is far more subtle, believable and retains much more of the book’s poignant Oedipal themes.

But try saying that to any “serious” film fan or critic. I think I can safely say that if they don’t implode on the spot, they will subject you to a tirade of vitriol based mainly on the dogmatic clout of the film’s age.

(By the way, I have listened to film lecturers tell me that American Beauty is “implausible”, Lord Of The Rings is “juvenile”, and Titanic is “unwatchable”. I can tell you right now that if any of those films had been released 50 years ago – special effects notwithstanding – academics would today consider them cinematic landmarks. And in 50 years’ time, they will. But in academic circles at least, they haven’t earned their chronological kudos quite yet.)

The obvious counterargument is that movies are always made within the context of their times. And that our modern movies wouldn’t be here without them. Well, that’s true. But why, then, are there many older movies that totally transcend their times and context; that instead of being just a rung towards greatness, skip the queue and just are great? For example, “The Cabinet Of Dr. Caligari” (1920) or “Nosferatu” (1922) were hugely popular films when they released, and still stand as amazing horror films. They are subtle, creepy and beautiful – and in a different league totally to the American “Frankenstein”.

What I mean to propose is this….. What if more films are doing this today? What if more movies are simply obviating the constraints of context, passing “go” and hitting greatness? This may be a result of the sheer number of films being made. It may be because of studios becoming more liberal and independent. It may be because of the general freedom of information today as opposed to even a few decades ago. But the situation remains that we are, at least relatively speaking, being inundated with truly great films, and the trend doesn’t seem to be about to stop.

I will leave you with the immortal words of Peter Griffin: “I did not care for the Godfather….”

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